Custom 2x JBL LSR308 + Central Station PLUS + IsoAcoustics

Package Includes :

2 x JBL LSR308

1 x PreSonus Central Station PLUS

1 x IsoAcoustics ISO-L8R200

JBL LSR308

The LSR308, part of JBL’s 3 Series studio monitors, is a 8” powered studio monitor delivering professional performance at an affordable price points. 3 Series Powered Studio Monitors are first to incorporate JBL’s exciting new technology, the Image Control Waveguide. In conjunction with 3 Series high-performance transducers and system components, the Image Control Waveguide lets you hear detail and depth in recordings as you've never heard before.

The LSR305’s 8” long-throw woofer and its 1” damped woven composite Neodymium tweeter are designed from the ground up to reproduce the powerful transients and micro dynamics of your mix. These drivers deliver impressive deep bass and smooth high frequency response beyond the range of human hearing.

JBL’s Patented Slip Stream™ low frequency port design works in concert with the woofer to produce deep bass response at all playback levels. The double-flared shape of the port is precisely engineered for greater low-frequency extension and reduced turbulence.

Big Power, Big Sound 

3 Series efficient Class D Amplifiers provide abundant power to deliver the output and dynamic headroom needed for the most demanding production styles

Professional Balanced Inputs  

Balanced XLR and 1/4” (6 mm) TRS inputs give you the options you need to connect your 3 Series to any signal source while maintaining professional signal quality.

Selectable Input Sensitivity 

The -10 dB/+4 dB sensitivity switch ensures compatibility with a broad range of signal sources, allowing you to connect the 3 Series to high output professional gear without any danger of input overload.

LF Trim and HF Trim “TRIM” switches for both the Low and High Frequencies give you excellent control over the 3 Series sound in “your” room. Use these to fine-tune the amount of bass and treble you hear to compensate for room acoustics, program material and your personal taste.

JBL Professional Reliability 

Prior to becoming a production-ready design, each 3 Series model is subjected to JBL’s tough 100-hour power test, in which the speaker is required to play continually at full output for 100 hours without failure. This demanding test ensures your 3 Series speakers will deliver years of reliable performance.

JBL LSR Design - Your Music Needs a Point of Reference 

While most manufacturers take only a single on axis measurement of the speaker’s performance, this doesn’t tell how it will sound in your room. JBL’s LSR Linear Spatial Reference design criteria requires seventy-two measurements yielding more than 1,200 times more data, enabling JBL to engineer a speaker that “sounds right” in any working space. With LSR design, 3 Series Studio Monitors deliver superior accuracy regardless of the size and shape of your room, so your mixes “hit their mark” when heard on any playback system.

PreSonus Central Station PLUS

You mostly monitor on near-fields, but occasionally switch to big, honking Main speakers or a second set of near-fields. You want to hear what your mix sounds like with and without subwoofer bass. And you want to be able to monitor straight from digital sources as well as analog. Meet the Central Station PLUS.

It's one of our most popular products for professional studios because it provides the perfect combination of stereo inputs, outputs, and recording-communication functions, allowing you to easily manage multiple sources and monitor speakers.

With Central Station, you can easily switch between three sets of stereo, analog input sources with individual level controls. Two stereo S/PDIF digital sources connect via one coax and one Toslink optical port. You can audition these sources with up to three pairs of speakers, with individual trim pots for each speaker—recessed to avoid accidents. You also get a pair of line-level main outputs, a pair of line-level cue outputs to feed a headphone-distributions system (such as our HP60 or HP4), and two screaming-loud headphone amplifiers with individual level controls.

Finally, with the included Control Station Remote (CSR-1), you can remote-control the Central Station's main volume, input select, output select, talkback, mute, dim, and mono functions from your desktop. The CSR-1 wires to the Central Station via a DE15 connector, enabling you to keep the Central Station in your rack and control it from your work surface, providing maximum convenience with minimum wiring.

The pros know that for critical listening, a monitor-control system must be as sonically transparent as possible. That's why we gave the Central Station an audiophile-quality, passive signal path, with no op-amps or ICs, and equipped the S/PDIF inputs with high-definition, 24-bit, 192 kHz D/A converters that deliver 115 dBu of dynamic range.

To enable you to watch your levels, the Central Station sports dual 30-segment, tri-colored, fast-acting, peak-hold LED meters, which can display dBu and dBfs. You can calibrate these meters to match your DAW or other audio device, and a handy switch lets you clear the peak-hold.

Speak to the musicians over the headphone and cue buses using the onboard talkback microphone or connect a mic to the XLR talkback input. The cue signal is automatically dimmed when you use the talkback mic, and a jack admits a footswitch for hands-free talkback operation. Finally, with the optional CSR-1, you can remote-control the Central Station's main volume, input select, output select, talkback, mute, dim, and mono functions.

With pristine audio quality; the ability to switch between multiple analog and digital sources and three sets of speakers; fast, accurate metering; and all of the extras that make your studio work easier and more efficient, it's obvious why the Central Station is the professional engineer's choice for monitor control.

IsoAcoustics ISO-L8R200

Made for larger sized studio monitors Patented isolation technology prevent the transfer of speaker cabinet energy to surrounding surfaces, effectively isolating the speaker. By allowing the speaker to perform in free space, it's able to sound the way it was intended. The end result is a more accurate, satisfying sound, which makes mixing and listening a better experience.